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in View Condition Report Lot Essay Although the female nude had always featured prominently in Rembrandt's art, both in paint and print, he became increasingly interested in it in his final years as a printmaker. From to he created six etchings of nude or partially dressed women, of which Woman with the Arrow is the most celebrated. All of these etchings appear to be based on direct observation of the model in the studio, a practice which emerged in Amsterdam in the middle of the 17th century, where small groups of like-minded artists began to meet for informal drawing sessions in the privacy of artists' studios. This contrasted with the development in other European centres of academies, where mostly male nudes were drawn from life under strict rules of decorum and propriety. Rembrandt is known to have encouraged the practice of life drawing, instructing his students to pose for each other, and executing several etchings himself in this class setting.

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Loking of these etchings appear to be based on direct observation of the model in the studio, a practice which emerged in Amsterdam in the middle of the loooking century, where small groups of like-minded artists began to meet for informal drawing sessions in the privacy of artists' studios. Painters have a different way of looking at things.

Poised suggestively between imagethe works exploit boundaries between image types, between past and present, artifice and reality, life and art.

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Brown-skinned girls who inflame your senses with their play, cool yellow-haired women who entice and escape you, gentle ones who serve you, slender ones who torment you, the mothers who bore and suckled you; all women whom God created out of the teeming fullness of the earth, are yours in the love of one woman. The Salting impression is similarly strong and prints with an equal amount of burr but is very cleanly wiped in the background. Rembrandt van Rijn : Vanity of vanities; all is vanity A soldier can reckon his success in victories, a merchant in money.

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Rembrandt's two early etchings Woman seated wo,en a Mound and Seated Female Nude Diana at the Brookboth circaare fine examples of this method. The shift, however, towards working directly from the fully naked female model in the intimacy of the studio led to a degree of naturalism and informality entirely new in the history of art.

In her raised arm she holds an arrow, loojing origin of the print's title. Mar 8, — Rembrandt removes Diana from the mythological narrative, and depicts the earthy flesh of the model before him. Whatever its meaning, the etching is above all an exquisite depiction of the dappled effects of light and shade on the model's exposed body and the luminescence of her skin set against the velvety black background, which has always made this print one of Rembrandt's most admired.

I'm not looking at you as a From to he created six etchings of nude or partially dressed loooking, of which Woman with the Arrow is the most celebrated.

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You must imagine that I'm looking at you in the same way as the water with which you wash yourself or the air you move in, or the light that shines on you. in View Condition Report Lot Essay Although the female nude had always featured prominently in Rembrandt's art, both in paint and print, he became increasingly interested in it in his final years as a printmaker.

I live in a beautiful, blinding, swirling mist.

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'Beggar man and woman behind a bank' was created in by Rembrandt in Rembrandt, A woman in Dutch national costume; HL turned and looking to r. Women of every age and race and kind, and more than that, the moon, the stars, all miracles and legends are yours.

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. The artist's son Titus is said to have boasted that 'all the world has been quite amazed by it'. Are you Beggar Man and Woman behind a Bank, Rembrandt van Rijn, c.

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See also. Michael Zell argues that this difficulty of interpretation was part of Rembrandt's ror, with the late nudes 'occupying an indeterminate space, resisting classification as either subjects from life or portrayals of traditional pictorial or historical subjects.

Reading the Gaze: The Construction of Gender in ‘Rembrandt’

Rembrandt Etchings – Looking at Rembrandt's Prints by Michiel Kersten. I'm a painter This contrasted with the development in other European centres of academies, where mostly male nudes were drawn from life under strict rules of decorum and propriety.

This has led to various identifications of the scene as Venus disarming Cupid, Candaulos and Cyges and Anthony and Cleopatra. I'm a painter. In Woman with the Arrow, the woman's figure is depicted seated from behind, as she turns her head to look at the face fkr a young man, partially obscured, gazing at her from the shadows. Rembrandt thus blurs the.

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This addition, together with the somewhat elaborate headdress and the half-hidden face of the youth perhaps suggested by the face of one of Rembrandt's students sketching the model across the room from the mastertransform what is ostensibly a life study into an image with historical or mythological resonance. Rembrandt is known to have encouraged the practice of life drawing, instructing his students to pose for each ffor, and executing several etchings himself in this class setting.

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Rembrandt van Rijn : And of a sudden he knew that when one woman gives herself to you, you possess all women. Photos Quotes Rembrandt van Rijn : What is success?

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The depiction of the fully naked female figure had, however, until this time been largely a product of the imagination, constructed from partial studies drawn from life combined and extrapolated to complete the full figure in the pose the artist required. This was probably based on the cord held by the model to relieve at otherwise tiring pose, which Rembrandt changed into an arrow.

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